The owner of a pharmaceutical business, a rich man of the “God” level, Edik is used to managing and controlling everything and everyone. But fate gives him an unexpected surprise. Having decided to say goodbye to life, the unemployed artist Petrovich falls from the roof of a high-rise building onto a businessman’s brand new, expensive car. Is the miserable life of a loser worth that kind of money? Moreover, he will never be able to return them. But the debt must be received at all costs; for Edik this is a matter of principle; forgiving others is not in his rules. Edik decides that Petrovich will work for him for free, he has every right to do this, because he is the real Master of life. Or does he just think so? And everything can change at any second and turn exactly the opposite? After all, God is not about money at all, and besides, he has a great sense of humor.

The adventurous crime comedy “BOOMERANG” is a subtle, sometimes black humor and caustic sarcasm, the director’s inherent daring style and presented in a simple and sharp form, but this makes no less important eternal questions.

Among the bright genre references, the director mentions Guy Ritchie's films, especially Snatch and RocknRolla. In terms of the drama of the characters’ life situations, these are “Lying Low in Bruges” and “Seven Psychopaths” by Martin McDonagh. In terms of ease of delivery, it’s somewhat like “House Arrest,” but without the acute social burden.